Life Archives - Page 3 of 3 - Simon Plant Photographer

Aug

Kayaking In Kynance

August is notorious for being quiet for business due to the summer holidays and the photography industry is not an exception.
With this in mind I decided to catch up on some new personal work that I had been planning and to also produce a short video for some promotions that we have planned.
This image is of a good friend of mine Dean who is also the manager at The Monks Yard where our studio is based.
Dean is a keen Sea Kayaker and when not working hard at Monks Yard (gotta say that!) he is often found off the Dorset coast fishing in his Kayak.
I had several images in my archives that I thought would make great environments to use in this portrait and eventually I decided upon one of Kynance Cove in Cornwall, I know not quite Dorset but hey it’s my image so I get creative license 🙂

The image took approx 5-6 hours to retouch and ended up being quite a monster PSD file.
The promotional video below shows a brief overview of the shoot and the post production.

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Jul

Yeovil Town Community Sports Trust Posters

I’ve mentioned before on the blog or twitter or somewhere that as well as Photography being my life long passion so has Football.
These days I don’t play but I’m still involved in the game probably more than ever. As well as being personal chauffeur,boot cleaner and general skivvy to my 9yr old son who attends Yeovil Towns Community Sport Trust Development Centre I also help out the Trust by shooting images for their promotional needs.
As well as providing children with superb football coaching the charity runs many other programmes to help youngsters within the local community.
To promote the trust’s great work I was asked to help them create some eye catching images and an appropriate headline for several posters they where planning on producing.
After several fairly short discussions we finally came up with the headline “Grass Grows On Our Pitch Children In Our Trust” and sourced several brilliant children from within the development centres to model for the shoot.
I was given fairly free reign to shoot any ideas I had for the images and opted for a rare (for me) studio shoot.
I often find from experience that sometimes the simpler the idea the better and this was definitely the case here and we managed to complete the shoot within half an hour and got some lovely images thanks to some great banter from the boys ! who where all brothers.
A big thanks also goes to Flow Design for their graphic design work which really helped complete and make the whole job a big success.

Jun

Banking Above The Crops, P51D Mustang

Hot off the screen today is this image that I started and competed retouching this afternoon (gotta be a record ! )
The plane was captured a couple of years ago during a shoot at the Airbus family air day display and is an historic WW2 P51D Mustang called Ferocious Frankie.
I had two ideas for the final image the first was to have the plane flying above the ocean and cliffs or the English countryside.After seeing several fields in my village bearing some rather lovely golden coloured crops I decided to go with the countryside idea.
From here my idea grew another step further and I decided to have someone in the image working the land and my son was suitably bribed for the job ! The shot was completed very quickly as it started to spit with rain and was very simply lit with just a little fill in flash to aid the slightly flat ambient lighting.

Apr

Behind The Scenes..Shooting U.S Army Despatch Rider With ” 1943 ” Harley

I consider myself a people person, I like meeting and talking to people and I especially love photographing them in their environment (as you can see by my recent posts here).Probably one of the most enjoyable things about my 20+ years in photography is the many people and places I have been fortunate to experience.
I have enjoyed photographing many gorgeous models people in the public eye and heads of industry but what I really love is shooting characters from everyday life doing what they love in work or play.

Twelve months ago I shot the image and video “Praha 44” for my Digital Photography training site . The image below features a German Officer at night against the backdrop of Prague.

The gentleman who I hired the costume from also had a huge collection of other items from WW2 including a U.S Army 1943 WLA Harley Davidson.After seeing the bike the ideas and story started to grow in my head and knew I had to shoot it.After a few discussions with Manny (the owner and model in the images here) I decided the scene would be set in Northern France and the rider would be dressed as a US Army Infantryman Despatch Rider from Headquarters Company delivering messages to and from various units after the D Day invasion.
In my mind the scene I wanted to portray him in was one of him resting after a hard ride (a quiet moment) against a Forest backdrop and I knew the perfect place.

A day was set and myself and my assistant met Manny with a van full of props including a genuine M1, semi-automatic, Garand rifle (deactivated of course !) and set up the scene.
Like many of my images I look for simple compositions and uncluttered lighting.For example in this image the soft light was quite important as I felt harsh light coming though the trees would simply cause too many distraction in the scene and I definitely did not want that.The shoot took about 90 minutes to complete partly due to the fact we where all having a blast and did not want to stop creating images.

1940’s Pocket Guide To France !

Manny eats breathes and lives his love for things from WW2 but in a very positive way and it was a pleasure to work with someone as passionate as I am about getting the fine details just right.

Manny has an incredible collection of other WW2 memorabilia including a WW2 Sailers Uniform which struck a chord with me as my father served on HMS Indomitable in the Pacific during the war.
Watch this space for that one !

View some brief video footage from the shoot below.

Mar

Full Time

My quest to shoot more people images took me to my other life long passion of football with some ideas that had been simmering in my head for a while.
As a follower of Yeovil Town F.C (and photographer for The Yeovil Town Community Sport Trust) I decided to produce a shoot with a couple of suitable models against an appropriate stadium backdrop.
As my photography vision/style of work is mostly about quiet moments I decided my main images would not be action packed aggressive images of footballers competing but ones that where more about moments & emotions of the game.
My first job was to source my models.Having spent many years testing for model agencies in Bristol I still had several contacts to call upon but in the end I was contacted by a couple of models via a post I made online.
The Models Chris & Daniel where both medical students who also did modelling part time and where perfect for what I had in mind so a date was set to do the shoot.
During the next week I purchased a few items of kit and managed through my stylist to borrow some appropriate shirts and we were all set to go.
I had some images on file to use for the stadium backdrops although I did look at purchasing some stock images but as usual I really wanted to shoot or use my own to keep complete control over the image so decided against it.
What I knew would be needed to be shot was some floodlit grass to complement my vision of a night time floodlit football stadium.
Luckily my son trains twice a week in the Development Centres that Yeovil run and one of the locations had some ideal floodlit grass so I managed to capture what I needed while avoiding the Javelin training that had set up while my back was turned !
So with all my background elements collected all that was left was to work out the lighting and capture my models.
For this shoot I needed very particular lighting style to give the impression of stadium lighting so I decided my best bet was to set up in my studio at The Monks Yard.
Although a fairly simple lighting set up I decided to use our biggest studio space to allow plenty of room to control the precise quality of light I required for the images.
Chris & Daniel where very professional and took direction superbly and we soon moved through several variations and close ups.

To create the beads of sweat on the models skin I used a water mister (kind you use to water plants or spray at the wife !) with a drop of Glycerine in it.
To finish off the day we decided to do a few action shots on location in the park which gave me some naturally lit images to play with if I decide to do so.

Here is the first completed image from the set featuring Daniel…more to follow shortly…

Mar

Mud, Nuclear Power & The Mud Horse Fishermen

As I have mentioned in a previous post I’m currently working on producing new life images of people & animals within the landscape.

Part of this has evolved into a small project shooting “Life In A Somerset Landscape” where I show people and animals at well known Somerset locations.
While researching new people to shoot I caught an old TV clip of one of the last Mud Horse Fisherman who live close to Hinkley Point B Nuclear power station nr Bidgwater Somerset.
20 years earlier I had photographed one of the last few fishermen for a magazine and so was not sure if any where still actually still fishing in the area.
After a bit of research with good old Google I managed to find a telephone number for Brendan & Adrian Sellick who are father & son and the last two people still Mud Horse fishing a stones throw from Hinkley Point B Nuclear Power Station.

So what is Mud Horse Fishing?
Having lived close to the coast most my life (mostly on the Bristol Channel) I know how dangerous this stretch of coast can be.
Firstly it has the second fastest fall and rise of tide in the world plus and more appropriate here the mud banks can be like quicksand.
The fishermen place their nets 2 miles out over the treacherous mud banks of the Bristol Channel. They use a wooden sledge known as a Mud Horse to help them not only carry back their catch but more importantly aid them to glide over the thick treacherous mud and not sink into it.
Following my telephone call I arranged to meet Adrian Brendan Sellick and photograph them with the Mud Horse at the beach.
My vision for the image was not one shot in bright clear sunlight which is what the shoot day presented me with.For me this is the kind of uncertantity that makes location shooting so interesting and certainly keeps you on your toes.
Another surprise on the day was I did not expect to go onto the mud banks to shoot but stay on the shore.
Adrian explained that the Mud Horse is stored about 1 mile out onto the mud banks of the channel weighted down by rocks as is to cumbersome to drag out.

We jumped into his 4×4 and started to drive cautiously over the mud which I have to admit was rather unnerving after the scores of cars I’ve seen submerged on this coastline by tourists driving on the beaches and ignoring the warnings.

Luckily I always carry a pair of wellies in the boot of my car so was pretty well prepared for the mud that I had to wade through in certain areas.

I had as I always do planned to use my tripod but it quickly became obvious that I would have to go out my comfort zone and hand hold the camera.
Adrian directed me to where was safe to walk and pointed out the areas that would have me knee deep plus in mud which was a worry with £6,500 worth of camera around my neck !
I directed Adrian where I wanted him and set about shooting with quite briskly with a healthy burst of fill in flash to reduce the harsh contrast from the crystal clear sunlit sky.
It was a very enjoyable shoot even though it took me out my comfort zone a little (which is not a bad thing) and made me adapt my plans slightly.

I retired with Adrian back to his rustic fish shop where I finished by shooting some headshots of him and his charismatic father Brendan.

This shoot summed up to me how much I love the excitement & unpredictable nature of location shooting.Combing this with meeting interesting,charming people doing jobs that sadly may not continue in years to come also gives me satisfaction of knowing that once again my camera has enabled me to explore places & people otherwise I may never had chance to.

The final image shown here combines several images of Adrian,The Bristol Channel and the Hinkley Point B Power Station.

Jan

Ryan

As I mentioned in my last post about shooting new images of people in the landscape here is an image I shot a couple of weeks ago and finished retouching this week.
The image here shows Ryan White who’s a talented young cyclist and member of Somerset based “1St Chard Wheelers” cycling club.
Ryan has gained much success in his chosen sport including coming 4th in the National under 12’s Road Race Championships and is currently 3rd in the national rankings which is very impressive seeing he’s only 13 !
In terms of the photography as always I wanted to show my subject within the landscape rather than shooting just a formal portrait.The background plate is of St Michaels Mount in Cornwall which I captured on a beautiful spring dawn several years ago.
The shoot was completed in around 30 minutes which I captured images of not only Ryan but his cycling partner dad David too.
Retouching the image was also pretty swift & straight forward taking me about 6 hrs to complete to the the high standards I require.

Ryan

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