At the end of last year, I decided to totally rebrand, make some further tweaks to my website and also change the way I market my work.
The last few years have been very fruitful for assignments so you won’t see me complaining, never the less, I felt I needed to freshen things up.
Along with my approach, I decided to have some new promotional packs designed to hold a small selection of the work that I could choose from to post to a select number of potential clients.
The envelopes are created from a stunning grey pearlescent paper and foil stamped with the new logo.There are 12 5×4 inch image cards to choose from to place inside and these will be added too when required.
These are not something I had created to mass mail but instead, are used to showcase what I do to select number of contacts whom I would love to work collaborate with.
If you would like to download a PDF overview of our current book you can do so here
A few weeks leading into Christmas assignment work quietened down enough to catch up on some long overdue personal work.
Shooting a summer themed Travel Lifestyle in December is not ideal for summer clad models for obvious reasons but needs must.
I prefer when compositing images of natural daylight lit scenes to use daylight as my main source if possible and add any other strobe lighting to this.
In short, if I need to replicate daylight on my subject to match a scene then I use daylight rather than try and recreate it in a warm cosy studio!
Great for the integrity of the image not so great if your a model being asked to pretend it’s 32 degrees and it’s actually minus 2 and wearing a slinky evening dress.
Needless to say, I worked quickly (in my thermals) to avoid too much discomfort for her.
I have to say Lilliana my model did not moan once and was fabulous to work with and I think the final images work beautifully.
Have a great Christmas everyone.
It’s been a another busy year shooting assignments especially video work.As a result fitting in shoots and producing new work for my book has had to take a back seat.
Finally this last few weeks I’ve had a break from commissions and produced a shoot with a couple of models, stylist and makeup artist for my travel lifestyle work.
Ive also had time to commission a complete rebrand and update the website to reflect the changes.
Also coming shortly are some beautiful custom promotional packs that will be sent out early next year to individual clients.
So this shoot was shot in two stages.The backgrounds were shot on location in probably my favourite place the Greek island of Rhodes.
My love affair with Greece goes back many years and taken me to many parts and this was my 3rd visit to my favourite place of all.
I had planned to shoot some Aerial work but decided against it as to do what I had planned legally was going to cost a lot of money to get permissions needed so maybe that’s a plan for another visit.
I planned the locations I wanted to shoot before leaving England and once on the ground set out before dawn to get the best light and of course avoid the bloody tourists !
Rhodes did not disappoint I was rewarded with some incredible views and gorgeous light and my job of capturing was easy.
Once I had returned it was time to edit my collection and create several backgrounds to which I planned to place the models.
The image below of Lyndos was created with 18 images.The reason was I wanted to use a longish focal length lens rather than a traditional wide angle that is often used for landscapes.
This would allow me to capture my interpretation of what Greece is all about, historic temples, mountains and of course the sea.
The longer lens would compress and bring all these elements closer together creating a softer more tranquil look that helps make up my style of work.
The second image below is captured at Mandraki Harbour in Rhodes town and was a multi image composite.
I was around 22 years old when I came here for the first time and spent the night at Mandraki harbour while waiting to catch the early morning ferry to Kos.
My memories of the place where of the statues at the entrance to the harbour and these distinctive arches.
Memories are a funny thing and the image below fits perfectly with that but the reality was that the locations were not as close together.
Not a problem I removed the car park and positioned my tranquil memory of the harbour entrance in position.
I also replaced the rather plain floor with something more elegant.
I realise none of this is something that would be tolerated if shooting to promote the location for a visit but hey it’s how I remember it !
Below are a few behind the scenes images shot here at our studio base. Not as glamorous for the models as being in Rhodes (or as warm as it was late October).
The location was perfect enabling me to concentrate on capturing the correct light quality, shadow quality,perspective etc to blend the models into the backgrounds.
A great team is vitally important to to pull everything together.I called upon Natasha Musson who I have worked with before to organise the styling and makeup artist Suzanne Peppard.
The models were supplied by Gingersnap who Ive also worked before on many Business Lifestyle shoots over the last few years.
Our models Katie and Sal were great professionals even when the cold took it’s toll.
This is the first image completed from a recent trip to Rhodes.
The location for this image was the medieval castle courtyard of the Palace Of The Grand Masters in Rhodes old town.
The models however were captured a little closer to home and composited into the scene taking great care to seamlessly blend all the necessary elements together.
We have had some fantastic summer light this last few weeks and I just had to take advantage of it to capture some aerial images and video and experiment a little.
In a few weeks I’m heading to one of if not my favourite place on earth Rhodes in Greece.
Greek history & myths have been a passion of mine passed on from my dad since a child and the reason I became a photographer but that’s another slightly strange story.
Over the years I’ve travelled to many of the sites both on mainland Greece, the islands and also Turkey too but Rhodes has always been my favourite.
This trip I have several locations I wish to photograph and film and I plan to do this with the drone.
So Ive been busy checking my aviation maps for any airspace restrictions for my proposed locations and planning the timings for best light.
Not one to ever be satisfied I’ve been looking at extracting extra resolution from the drone’s already impressive camera hence the experimenting.
The latest image is of Burrow Hill in Somerset which Ive shot many times but never from the air.
My experiment to extract extra resolution and quality from the drone was a success and one I’m going to use again where appropriate.
It’s been a very busy year so far which is my main excuse for not updating the blog in several months.
One of the reasons is I’ve recently taken on a new client who are currently keeping me extremely busy.
Part of the work this client needed required me to do aerial stills and motion work via a quad copter (Drone).
This in turn required a hectic 3 day training course for certification to fly commercially, which I’m pleased to say I passed.
Learning yet another skillset to stay current seems to be a regular thing these days and something that certainly keeps life interesting !
Ive done several aerial shoots so far and getting more creative and daring (within the civil aviation authority rules) with each flight.
A personal shoot Ive been planning since getting the aircraft is the one shown here.
This spot is special place to me as it’s somewhere I used to visit almost weekly with my mother in her later years.
It’s also a place i’ve photographed many times over the last 30 plus years.
The spot is situated on the Somerset Levels and you might just make out Glastonbury Tor on the horizon.
What I never done is shot the area from the elevated perspective and positions that the drone offers.
With good weather forecast with a fair chance of some low hanging moorland mist I set the alarm for a 4am start.
Drone work needs a fair amount of pre planning for safety reasons before getting on location and a fair few more checklist to tick off on the day too.
I did two flights that morning capturing some stills but mostly motion footage which Ive edited into a short video shown here.
As a personal piece of work I think this is a brief but fitting video shot from an appropriate vantage point to remember my loving mum.
Following on from my Anniversary Venice themed shoot last year we once again decided on another affluent lifestyle themed shoot for some new personal work.
This time the location was the very beautiful 16th century Dillington House in South Somerset.
We had two models booked for the day, Simon Bond whom I had worked with last year on a worldwide campaign for Mimecast and the lovely Avril O’Riordan.
Being a personal shoot I wasn’t looking to create dozens of images just one or two to add to the book and website for promotion.
The Cobb at Lyme Regis on a rather blustery Sunday morning.
Sometimes I have an idea and before I know it Ive captured all the images required and I’m sat in front of the computer bringing it to life.Others however can sometimes sit around in my head for months or at best sketched out in Photoshop,this image is a little of both those.Over the years I have been capturing people and animals for a personal project “Life In A Somerset Landscape”.It had been a while since I had added to the work and I really wanted to capture Burrow Hill which is a situated close to Hambridge in South Somerset for part of the project. I remember seeing Burrow Hill for the first time one summer’s day, a quaint small hill with a single tree on top complete with an idyllic rustic swing attached to one of it’s branches.It felt slightly surreal like I had stepped into a Jack & Jill Ladybird book !