Moored Between The Reeds

I learn’t my photography by spending a many a misty dawn shooting landscapes on the Somerset levels and 20 odd years on I can still be found wandering the wetlands with my camera.

Although I have explored just about every corner of this area of Somerset it still inspires me to go out and look for new locations and shooting opportunities and I’m rarely dissapointed.

This image titled Moored Between The Reeds was shot on Shapwick Heath which is a RSPB (Royal Society For Protection Of Birds) area.

As often is the case with my work it’s been..ehh Tweaked shall we say to fit my interpretaion of the place as I see it rather than a straight record of the location as it existed.

Moored Between The Reeds, Shapwick Heath Somerset
Moored Between The Reeds, Shapwick Heath Somerset

Praha “44” Image

Today I finally applied the last finishing touches to my latest image creation Praha “44”
I’ve been working on some new ideas for my book (Portfolio) and decided to produce an image that inspired me several years ago.

In 2006 I went to Prague to shoot some images and 360 HDR Spheres for some CGI images of Trucks that I was collbortating on with CGI Artist Andrew Jackson.

CGI Image Mercedes Actros Truck On Charles Bridge Prague.
CGI Image Mercedes Actros Truck On Charles Bridge Prague.

One morning while there I found myself wandering the streets in the dark (Pre Dawn) around the Charles Bridge shooting some of the beautiful buildings and cobbled streets.
While studying the scene below (steps leading down from the bridge) in the slighly damp eerie dark of that particular November morning I could easily envisage a scene from the occupied era of Prague in front of me.
I decided it could at some point make a great backdrop to a composit image complete with a German Officer.

I’m extremely pleased with the final image and it could not be any closer to my original vision all those years ago.

As with all composit images planning was the formula to the final sucess.

Praha "44"
Praha “44”

The Lighting setup was pretty simple in terms of equipment used but needed lots of attention to get the look to fit in with the background street lighting while also allowing enough detail in the very dark fabric of the German Officers uniform.

Lighting Setup
Lighting Setup

 

Lights used where Elichrom 500’s with standard heads and a simple white reflector to add some fill light under my models hat.

 

 

 

 


Toyota Aygo

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One of the occasions where post production can be used to help solve the problem of getting the otherwise impossible shot !


The Gumbet Windmills

I travel to Turkey quite a lot and I’m fortnate to have a home there from which to explore the many areas of historical interest that the country has to offer. On this particular trip I left my friends to enjoy an evening meal together and borrowed my turkish friend’s car to travel & capture the Windmills in the beautiful evening light.
The Windmills are located on headland high above the bays of Gumbet and Bodrum and give a wonderful view over the sea and mountains.
I’d been told about this location many times by Turkish friends but unfortunately on arrival I found it a little disappointing compared to the vision that I had built up in my mind.
I decided that seeing I was not being commissioned to shoot a faithful representation of the place that I would stay truthful to my own vision (as I often do) of this beautiful location by moving a few elements around and clean the place up a little !
My main disappointment at the location was the fact that the stunning view behind the windmills was not clearly visible so I decided to rectify this by raising the sea & mountains.
This was accomplished by capturing the precise images I needed then in post cleaning out a couple of the more derelict windmills so that the view could been seen behind.
This image was also made into a Photography Training Video called “Moving Mountains”

 

 

 

 

 

 

 

 


The Making Of “The Last Harvest”

This image was inspired by my strange facination with Maize fields which are abundant in the English countryside from late summer to early autumn.
Of course the idea developed in my imagination into something more than just photographing a field full of crops into the final image shown here.
The most difficult part of this image to perfect was the masking and transitions of the Maize heads onto the background.
After several good but not perfect attempts I managed to come up with an unlikely solution to the problem which fulfilled my severe obsession for fine details in my images.

Waiting For The Harvest Images For Comping

 

 


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