I captured and retouched this for the pure fun of it and because Ive loved the Greek myths since I was a kid.
This image involved a lot of transplanting of hair for the horse and adding a beard and longer hair on my model as it would be ridiculous to have a clean shaven centaur with short gelled hair!
I captured this A380 Airbus while on assignment for a client at an air show.
I have to say I stood in awe as I’d never witnessed something so big moving so slowly and gracefully in the air.
It looked as though it was a Hollywood special effect as it did not seem possible that something so big could move so slowly and quietly.
An amazing moment I just wished I could have captured some video footage as well as the still and attempt to do the moment justice.
I created this image many years ago but it’s still one of my favourites.
This was partly because It pushed my post production skills at the time to their absolute limit and so it was very satisfying when I finally completed it.
I captured this image in the near deserted village of Stefanos Greece.
The village is located on the edge of the Stefanos volcano on the island of Nisyros in the South Aegean Greece.
Over the years the village had almost been vacated entirely due to the volcano but a few people still remain.
One such brave resident was this lady whom I unfortunately did not get the chance to speak too.
She was blind and lived alone in her home above the crater with her herd of Goats.
As we approached the location and the scene in front of us unfolded someone described it as being biblical which I think was a perfect description.
I was fortunate to be interviewed for The Pro Photographer Journey Podcast recently about my work and marketing.
You can listen to the interview below.
With technology in constant movement it’s sometimes hard to know when something new appears if it’s just a temporary gimmick or if it’s actually something useful that will stay around.
3d motion or 2.5d to be more precise has been around a while and caught my eye.
It grabbed my interest as I could see how it could add value to clients by using the same still images shot for a campaign and repurposing them for motion based ads.
Like most things the images work best when pre planned to be used in this way but you can still create some subtle eye catching Parralax images from the simplest image like this portrait of a Belly Dancer.
[su_vimeo url=”https://vimeo.com/258647113″ width=”1600″ height=”720″]
The following samples are a little more complicated to produce requiring elements on several layers (spot the subtle seagull movement).
[su_vimeo url=”https://vimeo.com/257257982″ width=”1600″ height=”720″]
[su_vimeo url=”https://vimeo.com/256236312″ width=”1600″ height=”720″]
More stills based motion work can be found Here
Back in October I made a trip to the Catalonian resort of Loret De Mar.
Unfortunately the weather was the worst seen along the Spanish coast for decades which of course hindered things slightly !
Fortunately the weather did break albeit just for two brief periods and I managed to capture several locations I had scouted.
Several months on with my models Susie Coats and Andy Elvin arranged (see blog post Pre Production For Post Production) I then photographed the models images and went into post production to composite the images together into the final shots shown here.
A lovely campaign called “Whoever You Want To Be” for private school Stonar that I photographed and composited together a while ago.
Commercial Photography Shoot, Seeing Double For Stonar
A few weeks ago I received a call from Ice House Design In Bath which is always exciting as I’ve had some lovely briefs from them in the past.
It turned out this call was to chat about another interesting brief titled ” Whoever You Want To Be” for a private school in Bath called Stonar.
The concept was to show the wide variety of activities and opportunities the school offed by showing the same students repeated in the image but in other outfits.
After a brief chat about what I thought might be the best solution to getting the job shot and retouched Jack from Ice House explained about the rather tight deadlines that needed to be met.
The completion dates required happened to be bang in the middle of one of the busiest periods I’ve known as well a family holiday but a doable schedule was drawn up and the job was booked in.
The shoot itself was shot on location at a beautiful 18th-century Georgian mansion called Hartham Park close to Bath.
Upon arrival on the shoot day, It seemed every corner of Haytham’s interior offered me another photographic opportunity and the phrase “Kid Candy Shop” comes to mind.
Finally though myself and Les, the creative director narrowed it down two rooms that fitted the brief perfectly and the job was completed within our allotted time.
A few days (and early hours) in the post was needed to meet a couple of the deadlines but the whole job went together without any drama and more importantly, the client & agency were very pleased with the results.
Design Agency Ice House Design
Photography Simon Plant